Walking on Visual Illusions.

In nature, sensory and physical characteristics of the environment tend to match; for example, a surface that looks bumpy is bumpy. In human-built environments, they often don't. Here, we report observations from people exploring if mismatch between visual and physical characteristics affected their perceived walking experience. Participants walked across four flat floors, each comprising of a visual illusion: two patterns perceived as alternating 3D "furrows and ridges," the Primrose Field illusion, and a variant of the Cafe Wall illusion as a control pattern without perceived 3D effects. Participants found all patterns intriguing to look at; some describing them as "playful" or "gentle." More than half found some of the patterns uncomfortable to walk on, aversive, affecting walking stability, and occasionally even evoking fear of falling. These experiences raise crucial research questions for the vision sciences into the impact of architectural design on well-being and walkability.

Aesthetic valence of visual illusions.

Visual illusions constitute an interesting perceptual phenomenon, but they also have an aesthetic and affective dimension. We hypothesized that the illusive nature itself causes the increased aesthetic and affective valence of illusions compared with their non-illusory counterparts. We created pairs of stimuli. One qualified as a standard visual illusion whereas the other one did not, although they were matched in as many perceptual dimensions as possible. The phenomenal quality of being an illusion had significant effects on "Aesthetic Experience" (fascinating, irresistible, exceptional, etc), "Evaluation" (pleasant, cheerful, clear, bright, etc), "Arousal" (interesting, imaginative, complex, diverse, etc), and "Regularity" (balanced, coherent, clear, realistic, etc). A subsequent multiple regression analysis suggested that Arousal was a better predictor of Aesthetic Experience than Evaluation. The findings of this study demonstrate that illusion is a phenomenal quality of the percept which has measurable aesthetic and affective valence.

Anomalous motion illusion contributes to visual preference.

This study investigated the relationship between the magnitude of illusory motion in the variants of the "Rotating Snakes" pattern and the visual preference among such patterns. In Experiment 1 we manipulated the outer contour and the internal geometrical structure of the figure to test for corresponding modulations in the perceived illusion magnitude. The strength of illusory motion was estimated by the method of adjustment where the speed of a standard moving figure was matched to the speed of the perceived illusory motion in test figures. We observed modulation of the perceived strength of illusory motion congruent with our geometrical manipulations. In Experiment 2, we directly compared the magnitude of the perceived illusory motion and the preference for these patterns by a method of paired comparison. Images differing in illusion magnitude showed corresponding differences in the reported preference for these patterns. In addition, further analysis revealed that the geometry and lower level image characteristics also substantially contributed to the observed preference ratings. Together these results support the idea that presence of illusory effect and geometrical characteristics determine affective preference for images, as they may be regarded as more interesting, surprising, or fascinating.