Limited Scope for Group Coordination in Stylistic Variations of Kolam Art.

In large, complex societies, assorting with others with similar social norms or behaviors can facilitate successful coordination and cooperation. The ability to recognize others with shared norms or behaviors is thus assumed to be under selection. As a medium of communication, human art might reflect fitness-relevant information on shared norms and behaviors of other individuals thus facilitating successful coordination and cooperation. Distinctive styles or patterns of artistic design could signify migration history, different groups with a shared interaction history due to spatial proximity, as well as individual-level expertise and preferences. In addition, cultural boundaries may be even more pronounced in a highly diverse and socially stratified society. In the current study, we focus on a large corpus of an artistic tradition called kolam that is produced by women from Tamil Nadu in South India (N = 3, 139 kolam drawings from 192 women) to test whether stylistic variations in art can be mapped onto caste boundaries, migration and neighborhoods. Since the kolam art system with its sequential drawing decisions can be described by a Markov process, we characterize variation in styles of art due to different facets of an artist's identity and the group affiliations, via hierarchical Bayesian statistical models. Our results reveal that stylistic variations in kolam art only weakly map onto caste boundaries, neighborhoods, and regional origin. In fact, stylistic variations or patterns in art are dominated by artist-level variation and artist expertise. Our results illustrate that although art can be a medium of communication, it is not necessarily marked by group affiliation. Rather, artistic behavior in this context seems to be primarily a behavioral domain within which individuals carve out a unique niche for themselves to differentiate themselves from others. Our findings inform discussions on the evolutionary role of art for group coordination by encouraging researchers to use systematic methods to measure the mapping between specific objects or styles onto groups.

Estimating the reproducibility of social learning research published between 1955 and 2018.

Reproducibility is integral to science, but difficult to achieve. Previous research has quantified low rates of data availability and results reproducibility across the biological and behavioural sciences. Here, we surveyed 560 empirical publications, published between 1955 and 2018 in the social learning literature, a research topic that spans animal behaviour, behavioural ecology, cultural evolution and evolutionary psychology. Data were recoverable online or through direct data requests for 30% of this sample. Data recovery declines exponentially with time since publication, halving every 6 years, and up to every 9 years for human experimental data. When data for a publication can be recovered, we estimate a high probability of subsequent data usability (87%), analytical clarity (97%) and agreement of published results with reproduced findings (96%). This corresponds to an overall rate of recovering data and reproducing results of 23%, largely driven by the unavailability or incompleteness of data. We thus outline clear measures to improve the reproducibility of research on the ecology and evolution of social behaviour.

Entropy trade-offs in artistic design: A case study of Tamil kolam.

From an evolutionary perspective, art presents many puzzles. Humans invest substantial effort in generating apparently useless displays that include artworks. These vary greatly from ordinary to intricate. From the perspective of signalling theory, these investments in highly complex artistic designs can reflect information about individuals and their social standing. Using a large corpus of kolam art from South India (N = 3139 kolam from 192 women), we test a number of hypotheses about the ways in which social stratification and individual differences affect the complexity of artistic designs. Consistent with evolutionary signalling theories of constrained optimisation, we find that kolam art tends to occupy a 'sweet spot' at which artistic complexity, as measured by Shannon information entropy, remains relatively constant from small to large drawings. This stability is maintained through an observable, apparently unconscious trade-off between two standard information-theoretic measures: richness and evenness. Although these drawings arise in a highly stratified, caste-based society, we do not find strong evidence that artistic complexity is influenced by the caste boundaries of Indian society. Rather, the trade-off is likely due to individual-level aesthetic preferences and differences in skill, dedication and time, as well as the fundamental constraints of human cognition and memory.

Prediction processes during multiple object tracking (MOT): involvement of dorsal and ventral premotor cortices.

BACKGROUND: The multiple object tracking (MOT) paradigm is a cognitive task that requires parallel tracking of several identical, moving objects following nongoal-directed, arbitrary motion trajectories. AIMS: The current study aimed to investigate the employment of prediction processes during MOT. As an indicator for the involvement of prediction processes, we targeted the human premotor cortex (PM). The PM has been repeatedly implicated to serve the internal modeling of future actions and action effects, as well as purely perceptual events, by means of predictive feedforward functions. MATERIALS AND METHODS: Using functional magnetic resonance imaging (fMRI), BOLD activations recorded during MOT were contrasted with those recorded during the execution of a cognitive control task that used an identical stimulus display and demanded similar attentional load. A particular effort was made to identify and exclude previously found activation in the PM-adjacent frontal eye fields (FEF). RESULTS: We replicated prior results, revealing occipitotemporal, parietal, and frontal areas to be engaged in MOT. DISCUSSION: The activation in frontal areas is interpreted to originate from dorsal and ventral premotor cortices. The results are discussed in light of our assumption that MOT engages prediction processes. CONCLUSION: We propose that our results provide first clues that MOT does not only involve visuospatial perception and attention processes, but prediction processes as well.

The joint flanker effect: sharing tasks with real and imagined co-actors.

The Eriksen flanker task (Eriksen and Eriksen in Percept Psychophys 16:143-149, 1974) was distributed among pairs of participants to investigate whether individuals take into account a co-actor's S-R mapping even when coordination is not required. Participants responded to target letters (Experiment 1) or colors (Experiment 2) surrounded by distractors. When performing their part of the task next to another person performing the complementary part of the task, participants responded more slowly to stimuli containing flankers that were potential targets for their co-actor (incompatible trials), compared to stimuli containing identical, compatible, or neutral flankers. This joint Flanker effect also occurred when participants merely believed to be performing the task with a co-actor (Experiment 3). Furthermore, Experiment 4 demonstrated that people form shared task representations only when they perceive their co-actor as intentionally controlling her actions. These findings substantiate and generalize earlier results on shared task representations and advance our understanding of the basic mechanisms subserving joint action.

Action co-representation: the joint SNARC effect.

Traditionally, communication has been defined as the intentional exchange of symbolic information between individuals. In contrast, the mirror system provides a basis for nonsymbolic and nonintentional information exchange between individuals. We believe that understanding the role of the mirror system in joint action has the potential to serve as a bridge between these two domains. The present study investigates one crucial component of joint action: the ability to represent others' potential actions in the same way as one's own in the absence of perceptual evidence. In two experiments a joint spatial numerical association of response codes (SNARC) effect is demonstrated, providing further evidence that individuals form functionally equivalent representations of their own and others' potential actions. It is shown that numerical (symbolic) stimuli that are mapped onto a spatially arranged internal representation (a mental number line) can activate a co-represented action in the same way as spatial stimuli. This generalizes previous results on co-representation.We discuss the role of the mirror system in co-representation as a basis for shared intentionality and communication.