Metal oxalates in paints: a Raman investigation on the relative reactivities of different pigments to oxalic acid solutions.

One degradation phenomenon that occurs in artworks is the formation of metal oxalates on their surfaces. In order to gain insight into the inclination of pigments to produce oxalates, nine pigments including Na, Ca, Fe, Pb and Cu cations were selected to react with oxalic acid solutions at different concentrations (1 M, 0.1 M, 0.01 M and 0.005 M). Micro-Raman spectroscopy was used to detect the different reaction products. Pigments containing calcium (calcite, gypsum and Volterra gypsum) showed a high tendency to form weddellite as well as whewellite, especially at high acidic concentrations; among copper-based pigments (malachite, azurite, verdigris), the formation of moolooite was observed for high concentrations of acid and down to the lowest concentration (0.005 M) in the case of verdigris. Lead oxalate was detected on lead white. No iron oxalates were observed for hematite; the formation of calcium oxalate crystals was observed instead. Ultramarine blue reacted to produce elemental sulfur. According to the results obtained, calcite and verdigris showed the highest reactivity in oxalic acid environments, resulting in a high tendency to form calcium and copper oxalates, even at very low acidic concentrations; this behavior seems to arise from the high solubilities of these pigments in acidic environments.

Colored grounds of gilt stucco surfaces as analyzed by a combined microscopic, spectroscopic and elemental analytical approach.

A survey of gilts applied to stucco surfaces that specifically focuses on the compositions of their colored grounds is reported. Gilt samples of a common geographical (Lombardy in Italy) and temporal provenance (17th-18th century) were studied in the form of polished cross-sections by optical and electron microscopy (SEM-EDS), micro-Raman (microRaman) spectroscopy and Fourier-transform infrared microspectroscopy (microFTIR). Comparing samples with superimposed grounds and gilts enabled light to be shed on the choice of specific materials, their stratigraphic functions, decorative effects, and technological performances. Iron oxide pigments were found in the older grounds, sometimes in the presence of lead white (2PbCO(3).Pb(OH)(2)) or minium (Pb(3)O(4)). In more recent grounds, chrome yellow (PbCrO(4)), chrome orange (PbCrO(4).PbO), cinnabar (alpha-HgS) and barium white (BaSO(4)), invariably mixed with lead white, were encountered. Evidence for the use of organic mordants (colophony and wax, or siccative oil) was obtained by microFTIR. This combined microFTIR and microRaman spectroscopic and elemental (SEM-EDS) analytical approach enhances knowledge of the composition of gold grounds, their variability and their chronological evolution.

A new compact instrument for Raman, laser-induced breakdown, and laser-induced fluorescence spectroscopy of works of art and their constituent materials.

A small, potentially transportable prototype instrument capable of carrying out Raman, laser-induced breakdown (LIB), and laser-induced fluorescence (LIF) spectroscopy using a single pulsed laser source was developed for the analysis of cultural heritage objects. The purpose of this instrumentation is to perform fast and reliable analysis of surfaces with minimum damage to an object. For this purpose, a compact (51 x 203 x 76 mm) nanosecond Q-switched neodymium doped yttrium aluminum garnet laser (8 ns, 20 Hz, 0.01-115 mJ/pulse) was used as an irradiation source. The use of a nanosecond-gated detector sensitive between 180 and 900 nm allows the acquisition of elemental emissions in LIB spectroscopy and can also be employed for both LIF and time-resolved Raman spectroscopy. In this work, attention is focused on the description of the instrument and its optical components, and two examples of applications for the analysis of pigments and binding media used in works of art are presented.