RESUMO
This essay interrogates the representation of "hot mess" gay male castmates and their interpersonal relationships in LOGO's Fire Island's season 1. In particular, this essay identifies moments of media constructed queer failure through which the gay male castmates are framed, not to politicize, historicize, and contextualize their interpersonal relations as possibly emerging forms of queer relationalities. In so doing, this essay overall critiques how LOGO's Fire Island is a material product of homonationalism that colorblinds the hetero-relational paradigm as the normative social capital. The analysis is consisting of three themes; heterosexualization, whiteness, and respectability. In the end, this essay discusses the broader implications of queer relationalities that Fire Island's season one has failed to offer.
Assuntos
Minorias Sexuais e de Gênero , Masculino , Humanos , Identidade de Gênero , Homossexualidade Masculina , Política , População BrancaRESUMO
In situ monitoring of initial oxidation of GaAs surfaces was performed under (near-) realistic oxidizing environments, using ambient-pressure X-ray photoelectron spectroscopy (AP-XPS). The surface chemical states drastically change with time. The oxidation process at the sub-nano-meter-scale exhibits a significantly small activation energy, which can be regarded as a quasi-barrier-less oxidation.
RESUMO
In this essay, we, as queer subjects, share our embodied experiences to rearticulate and reimagine possible and impossible performances of queer relationality as family. We collaboratively pay careful and nuanced attention to our queer performative roles of becoming and being femmes as referring points of this critical queer engagement. To do so, we adapt methodological implications of autoethnography and intersectional reflexivity. Thereby, we take further steps to explore an anti-anti-relational landscape of queerness that works on and against hegemonic, heteronormative, and homonormative paradigms of relating.
