RESUMO
The 24th annual symposium of the International Isotope Society's United Kingdom Group took place at the Møller Centre, Churchill College, Cambridge, UK on Friday 6th November 2015. The meeting was attended by 77 delegates from academia and industry, the life sciences, chemical, radiochemical and scientific instrument suppliers. Delegates were welcomed by Dr Ken Lawrie (GlaxoSmithKline, UK, chair of the IIS UK group). The subsequent scientific programme consisted of oral presentations, short 'flash' presentations in association with particular posters and poster presentations. The scientific areas covered included isotopic synthesis, regulatory issues, applications of labelled compounds in imaging, isotopic separation and novel chemistry with potential implications for isotopic synthesis. Both short-lived and long-lived isotopes were represented, as were stable isotopes. The symposium was divided into a morning session chaired by Dr Rebekka Hueting (University of Oxford, UK) and afternoon sessions chaired by Dr Sofia Pascu (University of Bath, UK) and by Dr Alan Dowling (Syngenta, UK). The UK meeting concluded with remarks from Dr Ken Lawrie (GlaxoSmithKline, UK).
RESUMO
A study aimed at determining the time necessary for an alkyd paint to attain chemical curing is presented. In particular, the object of our investigation was an oil paint made by Winsor & Newton, namely French ultramarine (PB29) in the Griffin Alkyd "fast drying oil colour" series. Using this paint, we prepared several mock-ups on glass. These were left in the laboratory at room temperature in a piece of furniture with glass doors for a total of 70 days. Samples were taken at different times, and the changes in their composition were monitored by means of FT-IR and multinuclear NMR spectroscopic analyses. Since the cross-linking reactions involved in the formation of the pictorial film mainly affect the amount of carbon-carbon double bonds, we monitored the decrease in allyl, diallyl and vinyl protons and carbons. The data obtained from the use of both techniques led us to conclude that, in our particular experimental conditions, the chemical curing of the paint layer is reached within the first 70 days, thus establishing the beginning of the ageing phenomena.