A Design Space of Vision Science Methods for Visualization Research.

A growing number of efforts aim to understand what people see when using a visualization. These efforts provide scientific grounding to complement design intuitions, leading to more effective visualization practice. However, published visualization research currently reflects a limited set of available methods for understanding how people process visualized data. Alternative methods from vision science offer a rich suite of tools for understanding visualizations, but no curated collection of these methods exists in either perception or visualization research. We introduce a design space of experimental methods for empirically investigating the perceptual processes involved with viewing data visualizations to ultimately inform visualization design guidelines. This paper provides a shared lexicon for facilitating experimental visualization research. We discuss popular experimental paradigms, adjustment types, response types, and dependent measures used in vision science research, rooting each in visualization examples. We then discuss the advantages and limitations of each technique. Researchers can use this design space to create innovative studies and progress scientific understanding of design choices and evaluations in visualization. We highlight a history of collaborative success between visualization and vision science research and advocate for a deeper relationship between the two fields that can elaborate on and extend the methodological design space for understanding visualization and vision.

Measures of the Benefit of Direct Encoding of Data Deltas for Data Pair Relation Perception.

The power of data visualization is not to convey absolute values of individual data points, but to allow the exploration of relations (increases or decreases in a data value) among them. One approach to highlighting these relations is to explicitly encode the numeric differences (deltas) between data values. Because this approach removes the context of the individual data values, it is important to measure how much of a performance improvement it actually offers, especially across differences in encodings and tasks, to ensure that it is worth adding to a visualization design. Across 3 different tasks, we measured the increase in visual processing efficiency for judging the relations between pairs of data values, from when only the values were shown, to when the deltas between the values were explicitly encoded, across position and length visual feature encodings (and slope encodings in Experiments 1 & 2). In Experiment 1, the participant's task was to locate a pair of data values with a given relation (e.g., Find the 'small bar to the left of a tall bar' pair) among pairs of the opposite relation, and we measured processing efficiency from the increase in response times as the number of pairs increased. In Experiment 2, the task was to judge which of two relation types was more prevalent in a briefly presented display of 10 data pairs (e.g., Are there more 'small bar to the left of a tall bar' pairs or more 'tall bar to the left of a small bar' pairs?). In the final experiment, the task was to estimate the average delta within a briefly presented display of 6 data pairs (e.g., What is the average bar height difference across all 'small bar to the left of a tall bar' pairs?). Across all three experiments, visual processing of relations between data value pairs was significantly better when directly encoded as deltas rather than implicitly between individual data points, and varied substantially depending on the task (improvement ranged from 25% to 95%). Considering the ubiquity of bar charts and dot plots, relation perception for individual data values is highly inefficient, and confirms the need for alternative designs that provide not only absolute values, but also direct encoding of critical relationships between those values.

Redundant encoding strengthens segmentation and grouping in visual displays of data.

The availability and importance of data are accelerating, and our visual system is a critical tool for understanding it. The research field of data visualization seeks design guidelines-often inspired by perceptual psychology-for more efficient visual data analysis. We evaluated a common guideline: When presenting multiple sets of values to a viewer, those sets should be distinguished not just by a single feature, such as color, but redundantly by multiple features, such as color and shape. Despite the broad use of this practice across maps and graphs, it may carry costs, and there is no direct evidence for a benefit. We show that this practice can indeed yield a large benefit for rapidly segmenting objects within a dense display (Experiments 1 and 2), and strengthening visual grouping of display elements (Experiment 3). We predict situations where this benefit might be present, and discuss implications for models of attentional control. (PsycINFO Database Record

Perception of average value in multiclass scatterplots.

The visual system can make highly efficient aggregate judgements about a set of objects, with speed roughly independent of the number of objects considered. While there is a rich literature on these mechanisms and their ramifications for visual summarization tasks, this prior work rarely considers more complex tasks requiring multiple judgements over long periods of time, and has not considered certain critical aggregation types, such as the localization of the mean value of a set of points. In this paper, we explore these questions using a common visualization task as a case study: relative mean value judgements within multi-class scatterplots. We describe how the perception literature provides a set of expected constraints on the task, and evaluate these predictions with a large-scale perceptual study with crowd-sourced participants. Judgements are no harder when each set contains more points, redundant and conflicting encodings, as well as additional sets, do not strongly affect performance, and judgements are harder when using less salient encodings. These results have concrete ramifications for the design of scatterplots.

Attention and the evolution of Hollywood film.

Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films to determine if these same patterns are found. We parsed 150 films with release dates from 1935 to 2005 into their sequences of shots and then analyzed the pattern of shot lengths in each film. Autoregressive and power analyses showed that, across that span of 70 years, shots became increasingly more correlated in length with their neighbors and created power spectra approaching 1/f. We suggest, as have others, that 1/f patterns reflect world structure and mental process. Moreover, a 1/f temporal shot structure may help harness observers' attention to the narrative of a film.