Looking for Novel Natural Gels to Improve Cleaning Methods for Bronze Leachates on Marble.

Marble is one of the materials most susceptible to copper leaching, resulting in easily identifiable turquoise stains on the marble. This problem is particularly relevant when we are talking about marble structures of heritage value. For this reason, conservators look for cleaning materials that are specific to the structure to be treated without damaging the original surface. Materials such as agar have been studied for a long time. Agar creates a controlled water release system that adapts to the needs of conservators who seek the greatest possible cleanliness without damaging the material to be treated. To improve the cleaning, chelating agents such as EDTA are added to the agar composition. However, the microbiological growth and the damage it produces to the original material are disadvantages to take into account. In order to solve these problems, other natural materials with cleaning potential such as kudzu and konjac gels were studied in combination with other chelating agents such as citrate, oxalate, and gluconic acid. For the characterization and evaluation of copper cleaning, various analytical techniques were used, including Raman spectroscopy, colorimetry, X-ray fluorescence (XRF), and inductively coupled plasma mass spectrometry (ICP-MS). In this study, both konjac and kudzu emerged as promising alternatives to agar, revealing distinctive features such as simplified preparation methods and inherent antimicrobial properties. The EDTA chelator was found to be the most harmful for marble surfaces, as it extracted a greater amount of calcium from the marble during application of the gels doped with it. Citrate and gluconic acid have been identified as a promising substitute to prepare doped gels for the removal of copper stains. These compounds exhibit comparable or potentially superior cleaning capabilities than EDTA, with no negative side effects.

Study of Micro-Samples from the Open-Air Rock Art Site of Cueva de la Vieja (Alpera, Albacete, Spain) for Assessing the Performance of a Desalination Treatment.

In this work, some micro-samples belonging to the open-air rock art site of Cueva de la Vieja (Alpera, Albacete, Spain) were analysed. These samples were collected after and before a desalination treatment was carried out, with the aim of removing a whitish layer of concretion that affected the painted panel. The diagnostic study was performed to study the conservation state of the panel, and to then confirm the effectiveness of the treatment. Micro energy dispersive X-ray fluorescence spectrometry, Raman spectroscopy, and X-ray diffraction were employed for the characterization of the degradation product as well as that of the mineral substrate and pigments. The micro-samples analysis demonstrated that the painted layer was settled on a dolomitic limestone with silicon aggregates and aluminosilicates as well as iron oxides. The whitish crust was composed by sulfate compounds such as gypsum (CaSO4·2H2O) with a minor amount of epsomite (MgSO4·7H2O). An extensive phenomenon of biological activity has been demonstrated since then in almost all of the samples that have been analysed, and the presence of calcium oxalates monohydrate (CaC2O4·H2O) and dehydrate (CaC2O4·2H2O) were found. The presence of both calcium oxalates probably favoured the conservation of the pictographs. In addition, some carotenoids pigments, scytonemin (C36H20N2O4), and astaxanthin (C40H52O4) were characterized both by Raman spectroscopy and by X-ray diffraction. Hematite was found as a pigment voluntarily used for the painting of the panels used in a mixture with hydroxyapatite and amorphous carbon. The results of the analyses of the samples taken after the cleaning treatment confirmed a substantial decrease in sulphate formation on the panel surface.

When Red Turns Black: Influence of the 79 AD Volcanic Eruption and Burial Environment on the Blackening/Darkening of Pompeian Cinnabar.

It is widely known that the vivid hue of red cinnabar can darken or turn black. Many authors have studied this transformation, but only a few in the context of the archeological site of Pompeii. In this work, the co-occurrence of different degradation patterns associated with Pompeian cinnabar-containing fresco paintings (alone or in combination with red/yellow ocher pigments) exposed to different types of environments (pre- and post-79 AD atmosphere) is reported. Results obtained from the in situ and laboratory multianalytical methodology revealed the existence of diverse transformation products in the Pompeian cinnabar, consistent with the impact of the environment. The effect of hydrogen sulfide and sulfur dioxide emitted during the 79 AD eruption on the cinnabar transformation was also evaluated by comparing the experimental evidence found on paintings exposed and not exposed to the post-79 AD atmosphere. Our results highlight that not all the darkened areas on the Pompeian cinnabar paintings are related to the transformation of the pigment itself, as clear evidence of darkening associated with the presence of manganese and iron oxide formation (rock varnish) on fragments buried before the 79 AD eruption has also been found.

Soluble Salts Quantitative Characterization and Thermodynamic Modeling on Roman Bricks to Assess the Origin of Their Formation.

The environmental weathering and the formation of efflorescences on the brick walls are studied at the "Casa di Diana" Mithraeum at Ostia Antica archaeological site. Previous studies on subsoil, bedrock, hydrological systems and environmental conditions, and new ion chromatography analysis combined with ECOS-RUNSALT and Medusa-Hydra thermodynamic modelling software, had allowed us to identify the subsoil contamination related to soluble salts. The atmospheric acidic gases, CO2 and SO2, are determined as the main salt weathering species. A dry deposition after a subsequent hydration action from the shallow freshwater aquifer that reaches up to 1 m on the walls is identified as the mechanism of salt formation. An evaluation of potential sources such as the nearby Fiumicino airport, CO2-rich gases inputs from fumaroles and CO2 inputs was also debated. The risk level of contamination the surfaces of the materials should be considered mildly/very polluted with a medium/high risk of hygroscopic moisture due to the high concentration of sulphates.

Development of a novel method for the in-situ dechlorination of immovable iron elements: optimization of Cl- extraction yield through experimental design.

The conservation of iron objects exposed to marine aerosol is threatened by the formation of akaganeite, a highly unstable Cl-bearing corrosion phase. As akaganeite formation is responsible of the exfoliation of the rust layer, chlorides trigger a cyclic alteration phenomenon that often ends with the total consumption of the iron core. To prevent this degradation process, movable iron elements (e.g. archaeometallurgical artefacts) are generally immersed in alkaline dechlorination baths. Aiming to transfer this successful method to the treatment of immovable iron objects, we propose the in-situ application of alkaline solutions through the use of highly absorbent wraps. As first step of this novel research line, the present work defines the best desalination solution to be used and optimizes its extraction yield. After literature review, a screening experimental design was performed to understand the single and synergic effects of common additives used for NaOH baths. Once the most effective variables were selected, an optimization design was carried out to determine the optimal conditions to be set during treatment. According to the experimental work here presented, the use of 0.7 M NaOH solutions applied at high temperatures (above 50 °C) is recommended. Indeed, these conditions enhance chloride extraction and iron leaching inhibition, while promoting corrosion stabilization.

Chemometrics and elemental mapping by portable LIBS to identify the impact of volcanogenic and non-volcanogenic degradation sources on the mural paintings of Pompeii.

Crystallization of soluble salts is a common degradation phenomenon that threatens the mural paintings of Pompeii. There are many elements that contribute to the crystallization of salts on the walls of this archaeological site. Notably, the leachates of the pyroclastic materials ejected in 79 AD by Mount Vesuvius and local groundwater, rich in ions from the erosion of volcanic rocks. Both sources could contribute to increase the concentration of halides (fluorides and chlorides) and other salts in these walls. The distribution of volcanogenic salts and their impact on the conservation of Pompeian mural paintings have however not yet been fully disclosed. In this work, an analytical methodology useful to determine the impact of the main sources of degradation affecting the mural paintings of Pompeii is presented. This methodology combines the creation of qualitative distribution maps of the halogens (CaF and CaCl) and related alkali metals (Na and K) by portable Laser Induced Breakdown Spectroscopy (LIBS) and a subsequent Principal Component Analysis of these data. Such maps, together with the in-situ identification of sulfate salts by portable Raman spectroscopy, provided information about the migration and distribution of volcanogenic halides and the influence of ions coming from additional sources (marine aerosol and modern consolidation mortars). Additionally, the thermodynamic modeling developed using the experimentally determined ionic content of Pompeian rain- and groundwater allowed to determine their specific role in the formation of soluble salts in the mural paintings of Pompeii.

Spectroscopic-assisted archaeometric studies to determine the production technology of the VI BC Zeus Enthroned statue (Paestum, Italy) and Pre-Roman technology transfer.

This work summarizes the spectroscopic-assisted archaeometric study of the most important terracotta statue of Poseidonia-Paestum (Italy), the so-called Zeus Enthroned (VI sec. BC). The selected analytical strategy combines the mineralogical and molecular information provided by X-Ray diffraction (XRD) and Raman analysis with the elemental data obtained from X-Ray fluorescence (XRF) and Scanning Electron Microscopy coupled to Energy Dispersive Spectrometry (SEM/EDS). To shed light on the raw materials used to create and decorate this unique artwork, the analytical results gathered in this study helped disclosing the applied production technology. As suggested by the detected mineral assemblages, the body was prepared in two steps, using calcareous clay (CC) rich in Mg- and Fe- minerals as raw materials. The inner core and the outer depurated layers were both fired in oxidizing conditions but reaching different temperatures (≥900 °C and 850-900 °C respectively). The statue was decorated by firing manganese- (jacobsite MnFe2O4) and iron- (hematite Fe2O3) oxides in oxidizing conditions. Knowing that the decoration techniques based on the use of Mn-oxides were mastered by Etruscans rather than by Ancient Greeks, the obtained results suggest a transfer of production technology across borders, thus providing an additional clue about the flourishing commercial and cultural exchanges occurred between Greek colonies and Italic pre-Roman societies.

Study of the soluble salts formation in a recently restored house of Pompeii by in-situ Raman spectroscopy.

The walls and mural paintings of Pompeii exposed directly to the rainfalls are the most impacted in view of the observed decay. However, there are also wall paintings in protected rooms showing evidences of decaying. The aim of this research was to study the salts formed in such protected wall paintings only by non-invasive and in-situ Raman spectroscopy to understand their decaying processes. The perystile of the House of the Gilded Cupids (Regio VI, Insula 16), one of the most important houses of Pompeii was studied. Although an exhaustive restoration was carried out in 2004, a new conservation treatment was needed in 2013 and only two years later, extensive crystallizations of soluble salts were again threatening several of the restored surfaces, thus, the presence of an unsolved degradation pathway was deduced. Thank to the proposed methodology, it was pointed out that the key is the acidified rainfall impact in the non-protected backside of the walls containing the wall paintings. Thus, a new concept in the preservation of the houses of Pompeii is provided, in which the need of the protection of those walls from both sides is suggested to avoid the movement of water through the pores of the walls.

Multi-analytical methodology to diagnose the environmental impact suffered by building materials in coastal areas.

This work is focused on the development of an innovative multi-analytical methodology to estimate the impact suffered by building materials in coastal environments. With the aim of improving the in situ spectroscopic assessment, which is often based on XRF and Raman spectrometers, diffuse reflectance infrared Fourier transform (DRIFT) spectroscopy was implemented in the diagnosis study. In this way, the additional benefits from DRIFT were compared to the usual in situ analyses of building materials, which often have interferences from fluorescence and reststrahlen effects. The studies were extended to the laboratory scale by µ-X-ray fluorescence (µ-XRF) cross-section mapping and ion chromatography (IC), and the IC quantitative data were employed to develop thermodynamic models using the ECOS-RUNSALT program, with the aim of rationalizing the behavior of soluble salts with variations in the temperature and the relative humidity (RH). The multi-analytical methodology allowed identification of the most significant weathering agents and classification of the severity of degradation according to the salt content. The suitability of a DRIFT portable device to analyze these types of matrices was verified. Although the Kramers-Kronig algorithm correction proved to be inadequate to decrease the expected spectral distortions, the assignment was successfully performed based on the secondary bands and intensification of the overtones and decreased the time needed for in situ data collection. In addition, the pollutants' distribution in the samples and the possible presence of dangerous compounds, which were not detected during the in situ analysis campaigns, provided valuable information to clarify weathering phenomena.

Combination of in situ spectroscopy and chemometric techniques to discriminate different types of Roman bricks and the influence of microclimate environment.

Red and yellow bricks are the wall-building materials generally used in Roman masonries. The reasons for the different coloration are not always understood, causing loss of crucial information both for the conservation and for the archaeological knowledge of the cultural sites. In this work, a combination of in situ analyses, employing portable Raman spectroscopy and handheld energy dispersive X-ray fluorescence (HH-ED-XRF) spectroscopy along with chemometric analysis, was carried out on ancient Roman bricks of the "Casa di Diana" building (Ostia Antica, Italy-130 CE). Specifically, the compounds and the characteristic elements, which describe each type of brick (red and yellow), were studied avoiding destructive or invasive sampling. The molecular analysis allowed us to identify the major and minor compounds that characterise the bricks (anatase, hematite, quartz, calcite and silicates). However, the elemental analysis gave more useful information. Thus, the complex HH-ED-XRF data matrix generated was treated by a specific principal component analysis (PCA) to identify behavioural differences of the coloured bricks. The results revealed that Ca and Fe are the discriminatory elements for the two types of bricks. The PCA outcomes suggest that the contribution of certain elements is different in the bricks (mainly Ca, P, Sr, As and S, for yellow bricks), which could indicate different raw materials. Even among bricks with the same red colour (Al, Si, Ti, K, Fe, Cr, Mn, Ni, Zn, Cu, Rb and Zr, seemed to be the elements linked to raw materials), as a function of the surface impacts (orientation and microclimate affect the salts' formation), a distinction was made. Furthermore, the PCA pointed out that the yellow bricks are those more affected by decaying processes (related with Ca, P and S), complying with the Raman spectroscopy results in which the efflorescences (gypsum) affect especially the surface of these types of bricks.

Biodeterioration of Pompeian mural paintings: fungal colonization favoured by the presence of volcanic material residues.

This work was focused on the study of the biodegradation processes jeopardizing a mural painting conserved in the basement of Ariadne House (archaeological site of Pompeii, Italy). The fresco stood out for its peculiar state of preservation: the upper part, recovered in 1988, was just barely colonized by microorganisms. On the contrary, the lower part (excavated in 2005) was almost completely covered by extensive biological patinas. The genomic characterization carried out by polymerase chain reaction (PCR) highlighted the presence of seven different fungi strains on the mural surface. Beside, in situ and laboratory analyses were performed with the purpose of identifying the causes of the heterogeneous spatial distribution of the biopatinas. The in situ Raman spectroscopy and energy dispersive X-ray fluorescence (ED-XRF) spectroscopy measurements excluded any link between the heterogeneous colonization and the original materials present in the wall. On the other side, X-ray diffraction (XRD) and scanning electron microscopy (SEM) on microsamples proved the presence of a thin volcanic material layer overlying the lower part of the fresco. Considering that most of the biofilms of the studied mural painting only growth over these residues, it was confirmed the role of volcanic material as a suitable support for biological colonization. Thanks to the obtained results, this research helped to understand more in depth an important degradation pathway threatening the artworks from one of the most important archaeological sites in the world.

Comparison between non-invasive methods used on paintings by Goya and his contemporaries: hyperspectral imaging vs. point-by-point spectroscopic analysis.

The development of non-invasive techniques for the characterization of pigments is crucial in order to preserve the integrity of the artwork. In this sense, the usefulness of hyperspectral imaging was demonstrated. It allows pigment characterization of the whole painting. However, it also sometimes requires the complementation of other point-by-point techniques. In the present article, the advantages of hyperspectral imaging over point-by-point spectroscopic analysis were evaluated. For that purpose, three paintings were analysed by hyperspectral imaging, handheld X-ray fluorescence and handheld Raman spectroscopy in order to determine the best non-invasive technique for pigment identifications. Thanks to this work, the main pigments used in Aragonese artworks, and especially in Goya's paintings, were identified and mapped by imaging reflection spectroscopy. All the analysed pigments corresponded to those used at the time of Goya. Regarding the techniques used, the information obtained by the hyperspectral imaging and point-by-point analysis has been, in general, different and complementary. Given this fact, selecting only one technique is not recommended, and the present work demonstrates the usefulness of the combination of all the techniques used as the best non-invasive methodology for the pigments' characterization. Moreover, the proposed methodology is a relatively quick procedure that allows a larger number of Goya's paintings in the museum to be surveyed, increasing the possibility of obtaining significant results and providing a chance for extensive comparisons, which are relevant from the point of view of art history issues.

In situ X-ray fluorescence-based method to differentiate among red ochre pigments and yellow ochre pigments thermally transformed to red pigments of wall paintings from Pompeii.

Most of the magnificent wall paintings from the ancient city of Pompeii are decorated with red and yellow colors coming from the ochre pigments used. The thermal impact of the pyroclastic flow from the eruption of Vesuvius, in AD 79, promoted the transformation of some yellow painted areas to red. In this work, original red ochre, original yellow ochre, and transformed yellow ochre (nowadays showing a red color) of wall paintings from Pompeian houses (House of Marcus Lucretius and House of Gilded Cupids) were analyzed by means of a handheld energy-dispersive X-ray fluorescence spectrometer to develop a fast method that allows chemical differentiation of the original red ochre and the transformed yellow ochre. Principal component analysis of the multivariate obtained data showed that arsenic is the tracer element to distinguish between both red colored ochres. Moreover, Pompeian raw red and yellow ochre pigments recovered from the burial were analyzed in the laboratory with use of a benchtop energy-dispersive X-ray fluorescence spectrometer to confirm the elemental composition and the conclusions drawn from the in situ analysis according to the yellow ochre pigment transformation in real Pompeian wall paintings.

In situ DRIFT, Raman, and XRF implementation in a multianalytical methodology to diagnose the impact suffered by built heritage in urban atmospheres.

This work addresses the evaluation of an innovative mutianalytical method to assess the conservation state of a fifteenth century palace house. With the goal of reducing the handicaps of field analysis, the in situ spectroscopic assessment, often based on the use of X-ray fluorescence and Raman spectrometers, was complemented by the use of diffuse reflectance infrared Fourier transform spectroscopy. In this manner, its usefulness as a diagnostic tool to discover the origin and mechanisms of the damage caused by atmospheric and infiltration water attacks were thoroughly examined. Moreover, the study was extended in the laboratory to increase the information obtained by nondestructive techniques. The results revealed a severe material loss caused by soluble salts. Thus, a noninvasive sampling method using cellulose patches was tested to study the amount and mobility of salts by means of ion chromatography. Finally, to establish the chemical degradation processes that are occurring in the palace, a chemometric analysis of the quantitative data as well as the construction of thermodynamic models was done to advise on the required restorative actions. Graphical Abstract The different phases of the multianalytical method to assess the conservation state of built heritage.

Raman spectra of the different phases in the CaSO4-H2O system.

Although it is known that the CaSO4/H2O system is formed by at least five different phases, this fact is not correctly documented in Raman spectroscopy studies. The main problem detected in the literature was the incorrect definition of the anhydrite, which produced the assignation of different spectra for a single compound. In this sense, two different spectra were clearly identified from the bibliography, which showed different main Raman bands at 1017 or 1025 cm(-1), although anhydrite could be present even as three different polymorphous species with different structures. A better understanding of the whole system obtained from a review of the literature allowed new conclusions to be established. Thanks to that revision and the development of different thermodynamical experiments by Raman spectroscopy, the Raman spectra of each phase were successfully identified for the first time. In this way, the main Raman bands of gypsum, bassanite, anhydrite III, anhydrite II and anhydrite I were identified at 1008, 1015, 1025, 1017 and 1017 cm(-1), respectively. To conclude this work, the contradictions found in literature were critically summarized.

Relevance of cross-section analysis in correct diagnosis of the state of conservation of building materials as evidenced by spectroscopic imaging.

In the present work the need to use cross-section analysis as a routine procedure to characterize physiochemical damage on building materials was evaluated using a combination of spectroscopic imaging techniques based on Raman spectroscopy, X-ray fluorescence spectroscopy (XRF), and scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDX). First, samples for cross-section analysis required special preparation to avoid the loss of soluble and weakly anchored compounds and thereby ensure the representativeness of the analysis. To this end, samples were dry drilled and fractured with a single blow rather than cut to avoid friction. Cross-section analysis allowed surface deposition (crusts and patinas) to be differentiated from penetrating pollution and the affected depth to be determined. Elemental and molecular distributions were obtained to establish the origin of the compounds/elements found. Moreover, establishing the depth reached by the pollutant, which depends on the material porosity, can help to determine the physicochemical form of the pollutant. Finally, SEM-EDX images allowed surface and internal cracks, as well as the causes of these physical stresses, to be identified. As a result, surface analysis alone was shown to lead to incomplete or even incorrect conclusions that can be avoided by using cross-section analysis as a routine procedure when assessing the state of conservation of building materials.