Alpha band modulation caused by selective attention to music enables EEG classification.

Humans are able to pay selective attention to music or speech in the presence of multiple sounds. It has been reported that in the speech domain, selective attention enhances the cross-correlation between the envelope of speech and electroencephalogram (EEG) while also affecting the spatial modulation of the alpha band. However, when multiple music pieces are performed at the same time, it is unclear how selective attention affects neural entrainment and spatial modulation. In this paper, we hypothesized that the entrainment to the attended music differs from that to the unattended music and that spatial modulation in the alpha band occurs in conjunction with attention. We conducted experiments in which we presented musical excerpts to 15 participants, each listening to two excerpts simultaneously but paying attention to one of the two. The results showed that the cross-correlation function between the EEG signal and the envelope of the unattended melody had a more prominent peak than that of the attended melody, contrary to the findings for speech. In addition, the spatial modulation in the alpha band was found with a data-driven approach called the common spatial pattern method. Classification of the EEG signal with a support vector machine identified attended melodies and achieved an accuracy of 100% for 11 of the 15 participants. These results suggest that selective attention to music suppresses entrainment to the melody and that spatial modulation of the alpha band occurs in conjunction with attention. To the best of our knowledge, this is the first report to detect attended music consisting of several types of music notes only with EEG.

Respiration rate change induced by controlling the phasic relationship between melodic sound and respiration.

It has been suggested that the phasic relationship between sound and respiration (PRSR) is important. However, the effect that the relationship has on respiration rate is rarely studied. Here, by using our invented interface, we have developed a method of systematically controlling the PRSR and show that the respiration rate can be changed by controlling the PRSR. In concrete, when realized error of PRSR is large, respiration rate significantly increased. Since the effect appears with participants listening passively to melodic sounds without any instruction, the result could be utilized as a tool for managing everyday stress.

Presenting changes in acoustic features synchronously to respiration alters the affective evaluation of sound.

Synchronization of respiration to cyclic auditory stimuli is a well-observed phenomenon and known to have an effect on affective evaluation of the presented sound. However, no studies have separated the effect of the change in respiratory movement itself and that when there is synchrony between respiration and sound. In this study, we used a system that can change the acoustic features synchronously with the respiration phase and directly investigated the effect the synchrony has on affective ratings without changing respiratory movements. An acoustic stimulation was presented where the sound intensity (SI) or fundamental frequency (F0) was modulated in response to the participant's respiration phase. Affective evaluations of the acoustic stimuli were made by using the Self-Assessment Manikin (SAM). The experiments compared synchronous and asynchronous conditions. In the synchronous condition, SI (or F0) was increased with inhalation (decreased with exhalation) or decreased with inhalation (increased with exhalation). In the asynchronous condition, a sound identical to that presented in the synchronous condition was replayed. The participants evaluated sounds that were acoustically the same but where the temporal relationship differed between respiration and the acoustic features. In our results, significantly higher arousal ratings were observed when the change in SI and respiration (inhalation or exhalation) was synchronous and when the increase in F0 and inhalation was synchronous. This suggests that the synchronous phenomenon between respiration and auditory stimuli can play a critical role in affective evaluation.

Tactile phantom sensation for coaching respiration timing.

Respiration coaching is one of the key factors for radiation therapies. However, there are relatively few studies relating to respiration coaching, and most of them use audio or visual cues. In this paper, we show that a tactile phantom sensation moving continuously on the back can be used to adequately coach respiration timing. By using the tactile modality, the device rarely interferes with other communication channels used by therapists. The phantom sensation simplifies the mechanical structure. Several parameters were studied to obtain optimal performance when utilizing the phantom sensation. In a series of experiments, we determined the proper position and duty ratio for the actuators. To evaluate the device performance, we conducted an interference test (Kraepelin test), and the results suggest that the developed device interferes little with cognitive tasks. The experiments suggest that participants can easily understand stimulation on the back in terms of respiration guidance and properly follow changes in the cycle period with changes in respiration activity.

Sound presentation during different respiration phases alters the sound-induced vasoconstriction mediated by the sympathetic nerve.

The sympathetic orienting response induced by sound has been widely studied and utilized as an index of sound-induced emotions and other mental phenomena. Since sympathetic activity has its own oscillation that is synchronized with the respiration rhythm (sympatho-respiratory coupling), it is possible that the sound-induced orienting response of sympathetic activity varies depending on the respiration phase. In this study, the sound presentations were timed to coincide with the onset of inspiration or expiration. 10 experimental sounds were presented to 12 males aged 21-35 years. Respiration was monitored with an elastic chest band. Vasoconstriction at a finger was measured with laser Doppler flowmetry as a sympathetic orienting response. We found that the sound-induced vasoconstriction was larger for sounds presented in the inspiration phase than for those presented in the expiration phase, suggesting that the respiration network-derived sympathetic tone works as a gate for the sound-induced sympathetic tone.