RESUMO
In both the U.S. and Britain, Dr. Lydia Fowler was a leader in women's political and health reform organizations and temperance associations. Her publications, which targeted a popular audience of women and children, included self-help medical lectures and guides, a book of poetry, and the temperance novel Nora: The Lost and Redeemed (1853). Nora represents the broader political fight surrounding temperance, but also the medical arguments about alcohol abuse itself. Fowler's phrenological writings, including Nora, served as a bridge between the nineteenth-century construction of "intemperance" as a moral failing and the disease model of "alcoholism" that came to dominate medicine in the early twentieth century. With Nora, Fowler employs the power and reach of Victorian fiction to dramatize the dangers of alcohol and the hopeful remedies of feminist-driven reform.
Assuntos
Alcoolismo/prevenção & controle , Feminismo/história , Frenologia/história , Temperança/história , História do Século XIX , Medicina na Literatura , PolíticaRESUMO
Silas Weir Mitchell's novel, When All the Woods are Green (1894), acknowledges the medical use of mindblindness (agnosia) but also casts it as a developmental disorder, bringing it provocatively close to how current neuropsychologist, Simon Baron-Cohen and his followers use the term in relation to autism. This chapter traces the mindblindess metaphor in the works of Mitchell and Baron-Cohen to show how mindblindness informs the larger paradigms by which they theorize the brain. This analysis suggests that Baron-Cohen, and thus much current thinking about autism spectrum conditions, is influenced by Victorian-era cultural assumptions and neurosexism, a connection that calls for scrutiny of Baron-Cohen's current models of the brain and theories of autism. This chapter also demonstrates the extent to which Mitchell used fiction and advocated writing as neuroaesthetic tools and thus bridged in his work cognitive science and aesthetics--a connection that current scholars of neuroaesthetics are now theorizing.