Live theatre as exception and test case for experiencing negative emotions in art.
Behav Brain Sci
; 40: e362, 2017 Jan.
Article
em En
| MEDLINE
| ID: mdl-29342788
ABSTRACT
Distancing and then embracing constitutes a useful way of thinking about the paradox of aesthetic pleasure. However, the model does not account for live theatre. When live actors perform behaviors perceptually close to real life and possibly really experienced by the actors, audiences may experience autonomic reactions, with less distance, or may have to distance post-experiencing/embracing their emotions.
Texto completo:
1
Coleções:
01-internacional
Base de dados:
MEDLINE
Assunto principal:
Arte
/
Emoções
Idioma:
En
Revista:
Behav Brain Sci
Ano de publicação:
2017
Tipo de documento:
Article
País de afiliação:
Vaticano
País de publicação:
ENGLAND
/
ESCOCIA
/
GB
/
GREAT BRITAIN
/
INGLATERRA
/
REINO UNIDO
/
SCOTLAND
/
UK
/
UNITED KINGDOM